Bigger Than a Dream

Starred review from October 15, 2020
Grades K-3 *Starred Review* After hearing the voice of his sister, who died before he was born, a small white boy, now contemplating death, is whisked off by her corporeal ghost for a dreamlike bike ride. In the glowing night, they traverse narrow European streets, gray-green woods, and sprawling fields before ascending toward the moon. The boy follows Sis to the cemetery where her body rests, the looming hospital where she passed, and the park where she liked to play. As they board a rowboat, he becomes aware of an old, dried-out sadness, and Aerts leans into metaphor?without being too abstract?helping young readers tie the visuals of death to the subtle feelings associated: It covered the walls of our house like wallpaper. Sometimes you found it in Mom's soup, in the jobs Dad did around the house, or in a woolly hat for when it's cold. T�rnqvist, working exclusively through wide-frame double-page spreads, evokes the gentlest melancholy, incorporating all the shadows and light of a sunset into atmospheric backdrops. A lovely sense of introspection arises from the framing?a small boy tucked into a wide bed, sitting at a broad table?and beyond the siblings, no other characters grace the page, even when the parents appear in the thoughtful dialogue. A wondrous guide to young souls and their awakening sense of life, death, and emotion.(Reprinted with permission of Booklist, copyright 2020, American Library Association.)

Starred review from December 21, 2020
“Fifteen thousand years before Europeans stepped foot in the Americas, people had already spread from tip to tip and coast to coast.” In the preface to this reverently gathered collection of sacred stories from the Americas, García Esperón (A Tortoise Named Harriet) and Bowles (The Rise of the Halfling King) convey their aim to “bring out the faint ancestral voices echoing at the heart of each” presented tale. Preceded by short poems and full of vivid language (“a land of ruddy sunset splendor and deep green night”), the stories fulfill that intention by evoking the unique cadences and traditions of the Indigenous cultures represented. Spanning “north to south, east to west, and back again,” the entries cover a range of locales as well as varied topics and themes, including cosmic tales of creation and destruction (“ ‘Spider Grandmother,’ Hopi tradition”) and the heroic trials of twin brothers visiting the underworld (“ ‘Xibalba,’ K’iche’ (Maya) tradition”). Employing a limited, resonant color palette of blue, black, and white, illustrator Mijangos alternates between decorative headings and full-page depictions to conjure up the world in which each story originates. Visually striking and accessibly written, this book provides readers with a worthy introduction to some enduring Indigenous narratives. Includes a pronunciation guide, culture guide, map, and glossary. Ages 8–up. Agent (for García Esperón and Mijangos): Paulina Delgado, Ediciones el Naranjo.

Starred review from May 1, 2021

Gr 5 Up-This text features sacred stories that have been passed down within and by Indigenous cultures of the Americas for thousands of years. Each of these mesmerizing stories pulls readers in, leaving them wishing they could remain within these worlds much longer. Tales provide lessons humans should heed and stories about how things came to be, such as the stars, the sun, and the moon. Some stories, such as "Hummingbird" from the Guarani tradition, tell of tragedies and love; others, such as "Kukulkan" from the Yucatec and K'iche' tradition and "Land of Fire" from the Selk'nam tradition tell of how some things came to be and about the gods' interactions with one another. Stories pass on messages of hope and resilience, but also provide events filled with sadness and tragedy. The vibrant blue, black, and white palette used in the illustrations brings events from the stories beautifully to life. A pronunciation guide, "Quick Guide to Cultures" featured in the text, map, and glossary add to the richness of this title. VERDICT Highly recommended for readers young and old, this work is breathtaking and simply beautiful.-Selenia Paz, Harris County P.L., Houston

Copyright 2021 School Library Journal, LLC Used with permission.

July 1, 2020
This gentle, moving (and very beautifully illustrated) Dutch import opens as a young boy sits alone at an enormous but almost empty table, placed across the double-page spread at an uneasy angle. "The first time I heard her I was sitting at the table eating some marzipan." The child, as directed, covers his ears and hears his deceased sister. Later that night, the narrator's sister, glowing brightly against the dark bedroom, tugs her brother out of bed and on a journey to visit the hospital where she died and the cemetery where she is buried. The boy is able, as part of the nighttime visit, to give his sister her first taste of marzipan, and she, through their matter-of-fact conversation, gives him the knowledge that she is not in pain. Both the sadness and the deep love the child carries for his sister are conveyed in Tornqvist's mixed-media art. The colors are soft and inviting: the sky is streaked with blue and purple, the churchyard is a vibrant green hillside. Flocks of birds fly across many pages. In spite of the fundamentally sad subject, this is a story about healing. The final spread shows the narrator sitting at the same enormous table, but this time it is covered with a tablecloth and delicious foods. He no longer feels quite so alone.

(Copyright 2020 by The Horn Book, Incorporated, Boston. All rights reserved.)

November 1, 2020
This gentle, moving (and very beautifully illustrated) Dutch import opens as a young boy sits alone at an enormous but almost empty table, placed across the double-page spread at an uneasy angle. "The first time I heard her I was sitting at the table eating some marzipan." The child, as directed, covers his ears and hears his deceased sister. Later that night, the narrator's sister, glowing brightly against the dark bedroom, tugs her brother out of bed and on a journey to visit the hospital where she died and the cemetery where she is buried. The boy is able, as part of the nighttime visit, to give his sister her first taste of marzipan, and she, through their matter-of-fact conversation, gives him the knowledge that she is not in pain. Both the sadness and the deep love the child carries for his sister are conveyed in Tornqvist's mixed-media art. The colors are soft and inviting: the sky is streaked with blue and purple, the churchyard is a vibrant green hillside. Flocks of birds fly across many pages. In spite of the fundamentally sad subject, this is a story about healing. The final spread shows the narrator sitting at the same enormous table, but this time it is covered with a tablecloth and delicious foods. He no longer feels quite so alone. Maeve Visser Knoth

(Copyright 2020 by The Horn Book, Incorporated, Boston. All rights reserved.)

Starred review from March 1, 2021
In this ambitious and expansive compendium, Esperon collects and presents lore and legend from a wide array of Indigenous peoples from across the Americas, a.k.a. "the sea-ringed world." The short, engaging selections are based on traditional tales that predate European invasion, some only existing as fragments that have been passed down orally through the generations. The fifty-six stories are identified by their cultures and geographic regions and begin with such folkloric openings as, "So long ago that the years are impossible to count..."; "Before time began..."; "In the remotest of times before anything was..." The entries relate creation tales, environmental wisdom, and sage advice for societies in existential crisis. Readers encounter a Spider Grandmother, a Cloud Serpent, enchanted hummingbirds, white-faced bears, llamas, whales, and more. The intriguing figures include Py'aguasu, the Guarani "god of words and good conduct and divine love," and Uumarnituq, "one of the first two men in Inuit tradition" who "becomes pregnant and transforms into a woman." Mijangos's stunning three-color graphics -- black, white, and deep blue -- elevate each story and underscore the volume's themes with their evocative motifs and naturalistic flow. Extensive back matter (though individual story sources are not given) rounds out this impressive, handsome, and universally appealing volume. Luann Toth

(Copyright 2021 by The Horn Book, Incorporated, Boston. All rights reserved.)

Starred review from January 1, 2021
Grades 4-8 *Starred Review* From the Inuit in Canada and the Hopi in the U.S. to the Maya across Central America and the Sel'nam (or Ona) at the tip of Argentina, Native peoples in the Americas have told traditional stories for thousands of years. In this Mexican import, Esper�n retells sacred stories from 18 Native cultures, making them accessible to middle-grade and adult readers alike. Complemented by stylized artwork that combines Native motifs with looser, modern lines, in black, white, and a deep ocean blue, the short stories reflect a wonder and understanding of the natural world and the human spirit. Some speak of creation, like the Niitsitapi (or Blackfoot) story in which six poor brothers go to live in the sky, becoming the constellation known today as the Pleiades. Others describe the complexities of love, such as the Guarani tale in which a girl transforms into a flower to avoid a loveless marriage, and her forbidden lover becomes a hummingbird, always flitting from bloom to bloom in search of her. Dark tales also abound, like the Maya story in which two brothers who love to play ball are invited to a game in the underworld. Copious back matter includes a pronunciation guide, a map and guide of the cultures, and a lengthy glossary. A rich anthology to understand and delight in Native traditions.

COPYRIGHT(2021) Booklist, ALL RIGHTS RESERVED.

Starred review from January 15, 2021
Tales from 18 Indigenous cultures portray how the first peoples of the Americas have seen their world and their place in it, beginning thousands of years before Europeans arrived. The Indigenous cultures highlighted here range from the Arctic to the southern tip of South America. Creation stories describe the births of Sun and Moon and life-sustaining lakes and rivers. Stars fill the Hopi sky when Spider Grandmother casts her web to the heavens. Great floods cover the Earth. Some narratives suggest ancient migratory journeys. Human survival is often a struggle as people cross deserts or endure drought, heat, and ice. Cautionary tales, like the Alutiiq warning against needless hunting, offer guidance. Tales of war and conquest, famine and exile, reflect the rise of empires. In a Mopan (Maya) tradition, a prince and a god fall in love, and in an Inuit story, sea and weather goddesses are partnered. A Nahua two-spirit story unites genders in one being, manifesting completion and wholeness. These retellings, most three to four pages in length, are generous in spirit. Garc�a Esper�n, a lauded Mexican poet, evokes a harshly beautiful world, and Bowles' finely rendered translation begs to be read aloud. Mijangos' exceptional blue, black, and white digital illustrations, incorporating a variety of design elements into a unified whole, reflects and enhances themes and connections among the stories. Informative backmatter includes a pronunciation guide, cultural notes, a map, a glossary, and a bibliography. Spellbinding. (Traditional stories. 8-18)

COPYRIGHT(2021) Kirkus Reviews, ALL RIGHTS RESERVED.

January 1, 2021
In this ambitious and expansive compendium, Esperon collects and presents lore and legend from a wide array of Indigenous peoples from across the Americas, a.k.a. "the sea-ringed world." The short, engaging selections are based on traditional tales that predate European invasion, some only existing as fragments that have been passed down orally through the generations. The fifty-six stories are identified by their cultures and geographic regions and begin with such folkloric openings as, "So long ago that the years are impossible to count..."; "Before time began..."; "In the remotest of times before anything was..." The entries relate creation tales, environmental wisdom, and sage advice for societies in existential crisis. Readers encounter a Spider Grandmother, a Cloud Serpent, enchanted hummingbirds, white-faced bears, llamas, whales, and more. The intriguing figures include Py'aguasu, the Guarani "god of words and good conduct and divine love," and Uumarnituq, "one of the first two men in Inuit tradition" who "becomes pregnant and transforms into a woman." Mijangos's stunning three-color graphics -- black, white, and deep blue -- elevate each story and underscore the volume's themes with their evocative motifs and naturalistic flow. Extensive back matter (though individual story sources are not given) rounds out this impressive, handsome, and universally appealing volume.

(Copyright 2021 by The Horn Book, Incorporated, Boston. All rights reserved.)